Kamis, 26 Mei 2011

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Radio silence, by Julie Chen

  • Published on: 1995
  • Binding: Unknown Binding

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Senin, 23 Mei 2011

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Gita Wisdom: An Introduction to India's Essential Yoga Text, by Joshua M. Greene

Joshua M. Greene has taken one of the most venerable and revered texts of all times -The Bhagavad Gita, and presents it in a completely new way. Greene reveals that the GIta, which can easily be obtuse to the modern reader, is really a simple conversation between two friends about the meaning of life. This fresh new view helps the 21st century seeker relate to the Gita and offers new ways of understanding this essential wisdom. The Gita is a discussion between Krishna and his devoted friend Arjuna on a battlefield known as Kurukshetra, a sprawling tract of land two hours north of Delhi, India. Scriptural calculations put the date of this famous discussion at around 3000 BCE. Like all great literature the Gita explores the human condition: who we are, where we come from, and why we are here. And as with all great literature, the more we study the main characters the more real and human they become. From related works we learn that Krishna and Arjuna played together as children. They were close friends in youth and became family when Arjuna married Krishna’s sister. We learn that later in life they shared extraordinary adventures, including a journey through subtle pathways to places outside the known universe. Plainly put, India’s most revered scripture is a heart-to-heart talk between two men who were closer than brothers and were the best of friends. Above all, The Sacred Conversation is practical and features a very helpful glossary in the back for terms, names, and places. Whether you are an expert on The Bhagavad Gita or a first-time reader, this unique contribtion to spiritual literature offers deep knowledge in a highly accessible way.

  • Sales Rank: #84112 in Books
  • Brand: Mandala Publishing
  • Published on: 2009-02-01
  • Released on: 2009-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .40" w x 5.50" l, 1.00 pounds
  • Binding: Paperback
  • 144 pages

About the Author
Joshua M. Greene has produced films for PBS and Disney, has served as vice president for New York’s largest PR firm, and was appointed director of strategic planning for the United Nations Peace Summit of Religious and Spiritual Leaders. He was also an adjunct professor at Hofstra University in New York. His previous works include the best-selling Here Comes the Sun: The Spiritual and Musical Journey of George Harrison; Justice at Dachau: The Trials of an American Prosecutor;Witness: Voices from the Holocaust; and Gita Wisdom: An Introduction to India’s Essential Yoga Text. In 1970, he was initiated as Yogesvara Das by Bhakivedanta Swami Prabhupada and served for thirteen years in Prabhupada’s society as director of French-language publications.

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7 of 7 people found the following review helpful.
A Prefect Introduction
By Joe DeGiseII
I found Gita Wisdom to be a perfect introduction to the Bhagavad-gita. The author's insights provide a very practical application of this ancient wisdom into 21st century life. I also found it helpful that the author is a practitioner rather than merely a scholarly eye looking in from the outside. This is a great book.

4 of 4 people found the following review helpful.
An enduring ethical message is one of love's transformative power with respect to the hearts of men
By Midwest Book Review
"Bhagavad Gita" translates into English as "Song of the Supreme Person" and is a founding document upon which the Hindu religion and Yoga traditions are based. It is also the story of an epic war between two massive armies of four million soldiers with all the panoply of an ancient battlefield that included warrior elephants, gold-plated war chariots, beating drums, men grimly bent on killing other men with bows and arrows, spears and clubs. "Gita Wisdom: An Introduction To India's Essential Yoga Text" translated and provided with extensive footnoting by Joshua M. Greene is the 'story within the story' of prince Arujuna who foreseeing the carnage to come and turns to his friend and advisor Krishna (who also serves as Arjuna's charioteer). Their extended dialogue is what comprising the "Bhagavad Gita", and whose enduring ethical message is one of love's transformative power with respect to the hearts of men in even the most dire of circumstances. "Gita Wisdom" offers scholars and non-specialist general readers with a superb presentation and is therefore a welcome, recommended, and thoroughly 'reader friendly' addition to personal, academic, and community library Philosophy & Spirituality Studies reference collections and supplemental reading lists.

1 of 1 people found the following review helpful.
Maybe a primer?
By Thom
If your new to the concepts in the Bhagavad Gita then this might be a good place for you to start. It's an easy way to read some of it. The author putting his thoughts at the beginning of each section acts as quick summary of the proceeding passages.

If you're familiar with reading philosophic topics then I'd jump straight to the source for reading and reflection. Mainly because the author doesn't add a new interpretation of topics than what can be seen at face value from the text.

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Minggu, 22 Mei 2011

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Senin, 16 Mei 2011

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Sovereignty: God, State, and Self (Gifford Lectures), by Jean Bethke Elshtain

Throughout the history of human intellectual endeavor, sovereignty has cut across the diverse realms of theology, political thought, and psychology. From earliest Christian worship to the revolutionary ideas of Thomas Jefferson and Karl Marx, the debates about sovereignty—complete independence and self-government—have dominated our history.

In this seminal work of political history and political theory, leading scholar and public intellectual Jean Bethke Elshtain examines the origins and meanings of “sovereignty” as it relates to all the ways we attempt to explain our world: God, state, and self. Examining the early modern ideas of God which formed the basis for the modern sovereign state, Elshtain carries her research from theology and philosophy into psychology, showing that political theories of state sovereignty fuel contemporary understandings of sovereignty of the self. As the basis of sovereign power shifts from God, to the state, to the self, Elshtain uncovers startling realities often hidden from view. Her thesis consists in nothing less than a thorough-going rethinking of our intellectual history through its keystone concept.

The culmination of over thirty years of critically applauded work in feminism, international relations, political thought, and religion, Sovereignty opens new ground for our understanding of our own culture, its past, present, and future.

  • Sales Rank: #756634 in Books
  • Published on: 2008-06-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.13" w x 6.13" l, 1.46 pounds
  • Binding: Hardcover
  • 352 pages
Features
  • Sovereignty: God, State, and Self (Gifford Lectures)

From Booklist
*Starred Review* Dismissed by most political theorists as a mere encumbrance, theology serves Elshtain well in this historical analysis of the two incarnations of sovereignty that have forged the modern world: the nation-state and the individual self. Originally delivered as the Gifford Lectures of 2005–06, Elshtain’s insightful investigation explains how political thinkers such as Machiavelli and Hobbes first endowed the nation-state with absolute sovereignty over society by politicizing the innovative theology of nominalist philosophers such as William of Ockham, who elevated God’s sovereign will above His discernible reason. Readers thus confront the perilous political dynamics in a nation-state as powerful and as capricious as Ockham’s God. Elshtain traces the lethal consequences of this modern theopolitics in the bloody atrocities of the French Revolutionaries, the Nazis, and the Soviet Communists. Inevitably, the deified modern state fractured into millions of divinized modern selves, each intent on establishing and defending its own godlike sovereignty. Champions of modern selfhood celebrate the unprecedented autonomy of the liberated individual; Elshtain, however, warns that a self that claims its godhood by severing restraints imposed by ancestors, religious orthodoxy, and community will ultimately destroy the cultural ecology necessary to a meaningful life. An illuminating though sobering new perspective on the conjunction between religion and politics. --Bryce Christensen

About the Author
Jean Bethke Elshtain is the Laura Spelman Rockefeller Professor of Social and Political Ethics at the University of Chicago. She is the author of Just War Against Terror and Democracy on Trial, among other books. She lives in Nashville, Tennessee and Chicago, Illinois.

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29 of 30 people found the following review helpful.
Worth the Effort
By G. D. Geiss
This work will be valuable if you have any desire to understand (if I may paraphrase a Jamesian title) the varieties of sovereign experience. Tracing the origins of sovereignty back to the "birth", if you will, of the nation-state in the late Middle Ages, Professor Elshtain aptly demonstrates how misguided it is to lable this period "The Dark Ages". In as much as this time was (as she puts it) "God drenched", with its unquestioned interweaving of the religious and the political on a much broader framework than prevails today in the form of the decaying Holy Roman Empire and the Catholic Papacy at the head of a "world-wide" Christian community, all such tracing must begin with theological notions of Divine Sovereignty.

Interestingly, one finds here diversity of opinion and approach, not the staid uniformity that is often the harbinger of current views on this Age generally and Catholic theology specifically. Initially there arose an image of God as a "bound" (the author's word) sovereign. Mighty? Yes, but operating only within the "bounds" of His own Creation, thus avoiding arbitrariness and allowing access by our limited human intelligence and understanding. This is a view of Divine Sovereignty that the author ascribes to the works and thoughts of St. Augustine and St. Thomas Aquinas. [As a personal aside, I am not sure how our educational system can claim "educated" graduates while avoiding (as I believe it does) virtually all confrontation of these two towering intellects.] As I understand it, this is a sovereign concept based on authority, legitimized and in fact delimited by Creation itself. It is a sovereignty of mutuality and reason and of "natural" law decernible by and accessable to all- believers and unbelievers alike. Thus, even if one denies a Creator and ascribes the universe to some great accident precipitating the big bang, one could still appreciate the balance and mutuality of a sovereignty of this sort as applied to the "state".

This, of course, is a far cry from where we are (mostly) today. This book traces from theorist and thinker to theorist and thinker the shift from this "bound" version of sovereignty to one of will, arbitrary and unfettered; a sovereignty of power writ absolute, able to undo all or any part of creation at any time- to run time backwards, remake lost virginity, anything at all by simply willing it so. Such power is likely accessible only by "revelation", not by reason. As the vision of God's sovereignty morphed, so too that of the state until we arrived at the absolute monarch and his collectivist successors: the French Revolution's Committee of Public Safety, Communism, and National Socialism. It is a fascinating ride- rather like watching a (very) slow motion train wreck.

One of the things I think could have been done better (or perhaps just more completely) was to explain the necessity of the conclusion that God's sovereignty was "unbound" will that is ascribed to nominalism generally and Thomas Ockham specifically. I don't think it's entirely clear why the fragmenting, abstract denying nominalist ideas necessarilly lead to absolute Divine Will as that seems, in some ways anyway, more abstract than the "bound" authority version. I see the revelatory argument, but am not (probably due to my own ignorance) sure that it's a necessary part of the nominalist credo.

As she moves into more modern times, Professor Elshtain has, in my view, more difficulty in assessing the limited and/or shared soverignty concepts of the English system or American Constitutionalism. Again, I'm not so sure she's adequately assessed the theoretical foundation of current democratic sovereignty as it relates to legitimacy, authority, and interlocking webs of rights AND duties held jointly and severally at the individual and local levels. Still, she asks (rightfully) some tough questions about the source of those "rights and duties", suggesting that issues of morality, will, power, and "natural" law must still arise and that failure to deal satisfactorilly with them by acknowledging the interlocking, mutually dependant and arising moral claims can lead down frightening roads indeed.

As she progresses into a discussion of "self sovereignty", I must confess a certain reservation and even antipathy toward Professor Elshtain's less than even-handed accounts of folks like Descarte, Emerson, and Neitzche. I confess that the last of these is versus my own idiosyncratic reading of the mercurial, probably lunatic level genius of Herr Neitzche who's refusal to be clear when he could, instead, be dramatic or literarily entertaining as well as his dogmatic insistence on inconsistency allows considerable variation in assessments. Still, her's is one of the most sensationalized and essentially propagandistic readings I've seen put forward by an otherwise seemingly sensible observer. I don't know if this can be explained as her reaction to Neitzche's vitrolic (he's seldom anything else) condemnation of Christianity and the Christian God, but it seems so unbalanced as to warrant skepticism about any conclusions she draws concerning his views on the self as sovereign, a position to which, as a dyed in the wool determinist, I'm not sure he would actually admit.

Concerning such theories of self sovereignty as Professor Elshtain discusses, one can only say, that regardless of whether you accept the Augustinian view of the "Fall" from grace and Eden as their origin, still, humans are limited creatures. We are very finite beings with finite life-spans, finite brains (which evolved in finite survival modes), finite imaginations, and finite capacities to understand ourselves and each other. The abrogation of the moral obligation to recognize this and account for it in our actions, our organizations, and our lives generally is unsupportable. Actions based on that abrogation represent a tendency toward usurpations of authority that can never be ligitimized and attempts to do so need, by all who recognize in the universe something greater than ourselves, a whole greater than the mere sum of its parts, to be resisited.

You may not enjoy all of this book, but the account it renders of its main topic and the questions raised thereby should be carefully considered by all with a claim to a humanist bone in their body, whether religiously mediated or not. It's worth the effort.

15 of 15 people found the following review helpful.
Broad Subject, Narrow Book
By William Rhea
Applause to Jean Belthke Elshtain for taking on such a wide-ranging, cross-disciplinary topic and in the midst of it rewriting the story of political thought. One can see all the threads from her previous works coming together in this book, from war to feminism, theology to the private/public dichotomy. This was a book that needed to be written.

Her arguments are largely cogent, and offhand I cannot think of a one with which I can terribly disagree. For a work of nonfiction, the imagery is well-constructed- not surprisingly so, for her love of literature shows frequently in these pages. Consider these lines on the French Revolution: "One might say that the sovereigntism of Rousseau, with its sacralization of politics, demands human sacrifice. If ancient peoples sacrificed goats, the French Revoution sacrificed humans to propitiate the revolutionary gods" (137). Her appeal to the Augustinian tradition of personalism is, in my estimate, the best course for countering the autonomous individualism rampant in even the best of modern thinkers.

What the book lacks, unfortunately, is sufficient length. Another reviewer commented that Elshtain does not sufficiently explain the connection between late medieval nominalism and the supremacy of will within the Godhead. For the record, the connections comes about because as nominalism rejected metaphysical realism and essentialism as the twin bases for grounding the common reality of imminent realities, ideas of absolute (inherent) justice tended to collapse. At the same time, the Trinity- a single essence or being or substance existing as three persons- shifted away from that traditional definition, wherein the persons of the Trinity were less hypostatic identities manifesting a single substance (the nominalist: what substance?) than three manifestations of one entity. The inherent nature of justice vanished from the late medieval mind precisely when the plurality and personhood of the Godhead lost its former vigor- thus the monistic, willing sovereign God of Duns Scotus, William of Ockham, and eventually Luther and Calvin.

Alas, this connection is assumed on the part of the reader. Indeed, the whole debate surrounding the problem of universals that lies at the root of the realist-nominalist split goes without naray a mention; and conceptionalism, a third solution to the problem pioneered by Peter Abelard and back in force (in a way) with Immanuel Kant (hardly an insignificant aspect of his transcendent self Elshtain derides) isn't referenced at all. This is but one example. Personally, I found the whole section on divine sovereignty poorly explained and all-too-brief. And while I have no complaints on the factuality or clarity of the chapters on political sovereignty, I found these too brief as well and severely lacking in the non-intellectual history surrounding the rise of political sovereignty. The Peace of Westphalia is mentioned on but two pages.

As a typographical note, the author should fire her editor. The book is riddled with typos- hardly a page went buy without finding one. Moreover, sentences are poorly constructed with alarming frequency- dangling modifier here, split infinitives there, run-on sentences on the one hand and sentence-fragments on the other. I had to read several passages three times over, so much so that it took me a full week to read it cover to cover- something that should not have taken so long in a book concerning which I have complained of insufferable briefness.

That said, these negatives are warnings for the reader, not discouragements. The absence of medieval political thought in the modern teaching of the field is a great loss, and Jean Elshtain has done us all a great service with its publication. Thread of sovereignty as a holistic concept running from William of Ockham to Thomas Hobbes to Immanuel Kant- a thread, more amazingly, that runs the same course from theology through politics through anthropology- can no longer be ignored with the publication of this important book.

5 of 5 people found the following review helpful.
Historical Sites of Sovereignty
By A Certain Bibliophile
The idea of sovereignty, like almost any other politically or culturally meaningful term, was not born in a vacuum, remaining unchanged through the centuries. In many ways, Elshtain's "Sovereignty" is a history of this complicated idea from its deeply religious and theological associations in Augustine and Aquinas to what she refers to as a "monist," psychologized sovereignty of the self that holds the most sway in our fractured modernity. As the title of the book indicates, Elshtain discusses sovereignty at what she perceives to be the three critical junctures of its development, with the sovereignty of the self being a product, or so she seems to think, of Enlightenment's secular humanism.

In the first part of the book, Elshtain sees an important shift from Thomistic conceptions of sovereignty, which emphasize God's love and rationality and especially the ability of the human being to use her intellect to deduce these things about God, toward the nominalism of William of Ockham. She associates Ockham's nominalism with a prevailing trend toward voluntarism, which shifts the focus away from God's love and rationality toward the omnipotent, volitional will. While theology was the locus classicus of this paradigmatic shift, it eventually spills over into the political realm wherein there is a consolidation of power into a single body (either the Pope or the prince), as opposed to the idea of the Gelasian Two Swords doctrine (as articulated by Pope Gelasius in a 494 letter titled "Deo sunt" to Emperor Anastasius I). Elshtain's intellectual genealogy is right to see in this historical moment both the origins of the all-powerful secular prince and those of the archetypical medieval Pope, one of whose missions was to purposively blur the lines between the political and spiritual realms.

The second part of the book gives several adumbrations of thinkers Elshtain associates with the view that the rightful place of sovereignty is in the state, including Hobbes, Hegel, Schmitt, and Machiavelli. Elshtain explains how these thinkers, along with Martin Luther whose fear of civil disorder and unruliness lead him to give increasing numbers of powers to the king, built the theoretical absolutism which James I and Louis XIV used as justification for their reigns. While the author limns the origins of shifts in the idea of sovereignty, she never locates a "cause" or a rationale; she points to Hegel and shows (convincingly) that he places ultimate sovereignty in the state, and later says that movements such as radical feminism have even further atomized sovereignty, locating it at the site of the individual's body. But as a reader, I would have appreciated an investigation of the shifts themselves - of how one conception, over time, turned into the other.

While the first two-thirds of the book honed in tightly on the examination of carefully made arguments about ideas, the last part completely falls into politically conservative homiletic. Instead of following arguments, this part of the book blames everything from radical feminism to eugenics to cloning as being part of the irresponsible shift of sovereignty to the level of the human body. Elshtain sees these as breach of deeply Christian humanism which she seems to espouse in her admiration of Augustine and Aquinas. While one can easily agree or disagree with her opinion, it was ultimately the lack of a well-presented defense of God-centered sovereignty that made me think less of the book. Throughout the book, she also seemed to downplay or ignore the atrocities of our ventures in God-centered sovereignty (like the burning of heretics), doing the same for all of the progress made during post-Enlightenment modernity (like representative democracy and women's suffrage).

For those interested in more on the topic: Elshtain openly admits to not having a deep background in theology in the introduction to the book. Anyone looking for a correction in this should look to Quentin Skinner's much more theologically grounded and scholarly two-volume "The Foundations of Modern Political Thought," especially the second volume which focuses on fifteenth- and sixteenth-century political theory.

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Jumat, 13 Mei 2011

[C942.Ebook] Download PDF IB English A Literature Skills and Practice: Oxford IB Diploma Program (International Baccalaureate), by Hannah Tyson, Mark Beverley

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IB English A Literature Skills and Practice: Oxford IB Diploma Program (International Baccalaureate), by Hannah Tyson, Mark Beverley

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IB English A Literature Skills and Practice: Oxford IB Diploma Program (International Baccalaureate), by Hannah Tyson, Mark Beverley

The detailed skills development needed for success in English A

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IB Skills & Practice books are designed to provide IB students with a step-by-step approach to practicing the skills needed for success on exams. Oxford's IB Skills & Practice books are packed with guidance, assessment support, and practical tasks. Aligned with current syllabuses these indispensable books are a must-have for all IB students.

  • Sales Rank: #486957 in Books
  • Published on: 2013-03-01
  • Original language: English
  • Dimensions: 8.20" h x .50" w x 11.60" l, .0 pounds
  • Binding: Paperback
  • 176 pages

About the Author
Hannah Tyson and Mark Berverley are well-respected in their field.

Most helpful customer reviews

4 of 5 people found the following review helpful.
This is the reason why IBers hate IB
By Ashish
Before I begin this review let me enlighten you with my story . I did take literature prior to IB and you can imagine what a bad ride this might have been .

Although this book calls itself the the IB SKILLS AND PRACTICE it just regurgitates what has been stated in the course companion . What is even more shocking is the fact that there is few activities in this skills and practice book and no answers or guiding answers to compare your work to . To an amateur this book was just as useful to me as a summary of Hamlet would do on my written assignment .

If you are also like me , an amateur to literature I rather recommend Literature , style and criticism for the A/AS- level .

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Kamis, 12 Mei 2011

[G213.Ebook] Ebook Look Who's Back, by Timur Vermes

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"What would happen if Adolf Hitler woke up in modern-day Berlin? In a bestselling satirical novel, he'd end up a TV comedy star . . . [Look Who's Back] has unsurprisingly sparked debate in a country that has grappled for decades with Hitler's unconscionable legacy."-Time
Timur Vermes' record-breaking bestseller, Look Who's Back, is a satirical novel that imagines what would happen if Hilter reawakened in present-day Germany. The book was a massive success in Germany, selling more than 1.5 million copies. Janet Maslin of The New York Times called Look Who's Back"desperately funny . . . an ingenious comedy of errors."
In the novel, Adolf Hitler wakes up in 2011 from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire-exposing prejudice and misrepresentation-and his media success emboldens Hitler to start his own political party, and set the country he finds a shambles back to rights.
With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.

  • Sales Rank: #123726 in Books
  • Published on: 2015-05-05
  • Released on: 2015-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.13" w x 6.38" l, .0 pounds
  • Binding: Hardcover
  • 352 pages

Review
Look Who's Back, the film, is coming to Netflix April 9, 2016!

An Independent Best Books of the Year selection A New York Times Summer Reading Pick

"You know his name. You know his face. You know his hair and mustache, which are caricatured with sharp, witty minimalism on the cover of "Look Who's Back," in which a baffled Adolf Hitler is returned to the even more baffled German people. Now you'll also know Timur Vermes, whose debut novel has created a sensation in Germany. [Look Who's Back] is desperately funny . . . Mr. Vermes has created an ingenious comedy of errors in which the jokes are either on Hitler's misapprehensions about the modern world or the modern world's refusal to take him at face value . . . Read this book."―Janet Maslin, The New York Times

"Very funny . . . The frisson of reading "Look Who's Back" comes from its seamless transition from Borscht Belt one-liners to disturbing invocations of the legacies of Nazi rule. Mr. Vermes gives us a bracingly double-sided Hitler-the arresting public speaker and astute negotiator who loves dogs and small children, and also the fanatical champion of political violence, global tyranny and ethnic cleansing . . . Translator Jamie Bulloch helps by providing a glossary at the close of the book, but what people will remember is his perfect rendering of the ridiculously orotund, yet oddly compelling, manner of Hitler's speechifying."―Sam Sacks, The Wall Street Journal

"We're startled into a genuine laugh . . . Vermes plays all of this straight, or at least deadpan. He is not a historian, but his presentation of the minutiae of Hitler's life amounts to an impressive feat of historical research . . . the ventriloquism here is impressive . . . The most striking and provocative feature of the narrative, in fact, is not the decision to resurrect Hitler but the choice to use him as a first-person narrator - to risk telling us more about Hitler than could be known, in Forster's phrase.―Daniel Torday, The New York Times

"Look Who's Back is Hitler satire at its best . . . while there has been much debate over whether or why it's appropriate to laugh at Vermes's relentless Hitler satire, this well-researched and uproariously cringe-worthy book makes it hard not to . . . It is ultimately a sort of commentary on Hitler's first ascent to power-on the point at which a charismatic man starts being taken seriously, and what that transition entails . . . laugh-out-loud funny."―Kira Bindrim, Newsweek

"A hilarious, yet poignant look at today's world through the eyes of one of its most horrific villains . . . the political and social satires translate will through the language barrier as the translator, Jamie Bulloch, did a fantastic job in the writing."―Seattle Post Intelligencer

"Look Who's Back offers searing cultural and political commentary in the guise of a wildly entertaining story."―Paste Magazine

"[A] wickedly satiric first novel . . . Hitler is, of course, deadly serious, and the dissonance between his earnest bigotry and the vacuousness of our media-soaked age is the comic grist that propels the novel toward its truly ironic conclusion. While German journalist ­Vermes has a good deal to say about the state of contemporary Germany, his reach here is more universal, as he's crafted a sardonic send-up of a media and a world where the message doesn't matter so long as your ratings are high and your videos go viral on YouTube."―Library Journal

"Thrillingly transgressive"―The Guardian

"The joke is not on the reanimated Fuhrer, spouting predictably on immigrant and Jews, but on the ironic flippancy of the YouTube generation . . . rollickingly enjoyable."―Angel Gurria-Quintana, The Financial Times

"It is 2011 and Hitler is back and going viral in a darkly entertaining satire."―The Sunday Times

"Hilarious . . . The appeal of the story is our our own reaction to a monster's view of how we live today. And being chilled by our own empathy with his disgust toward the media, politicians, government and, of course, technology . . .Vermes could have made the star of this book anyone from history. He's really telling us about ourselves."―Esther Cepeda, Washington Post syndicated columnist

"For Vermes's novel is not so much a satire on Third Reich revisionism and nostalgia--although that plays its part--as on the blank ironies of amoral and fad-crazy multi-platform media. For parallels, think Sacha Baron Cohen and Chris Morris. The undead Fuhrer gets his first big break on a show hosted by a Turkish-origin comedian called Ali Gagmez."
―Bolyd Tonkin, The Independent

"Packed with wry, close-to-the-knuckle hilarity, and builds to a gloriously ironic conclusion."―Mail on Sunday

"Both funny and frightening, this is a subtle, historical study of the commanding nature of a fanatical demagogue, as well as a savage critique of contemporary western culture . . . a powerful and important book."―Sue Gaisford, The Independent on Sunday

"Very funny"―Financial Times

About the Author
The son of a German mother and a Hungarian father who fled the country in 1956, Timur Vermes was born in Nuremberg in 1967. He studied history and politics and went on to become a journalist. He has written for the Abendzeitung and the Cologne Express and worked for various magazines. He has ghostwritten several books since 2007. This is his first novel.
ABOUT THE TRANSLATOR: Jamie Bulloch's translations include Ruth Maier's Diary, Portrait of a Mother as a Young Women by F. C. Delius, and novels by Paulus Hochgatterer and Daniel Glattauer.

Most helpful customer reviews

86 of 91 people found the following review helpful.
Satirical indeed.
By Liz Barnsley
Thank you to the author and publisher for the review copy. **3.5 stars***

Summer 2011. Berlin. Adolf Hitler wakes up on a patch of ground, alive and well. Things have changed – no Eva Braun, no Nazi party, no war. Hitler barely recognises his beloved Fatherland, filled with immigrants and run by a woman. People certainly recognise him, though – as a brilliant, satirical impersonator who refuses to break character. The unthinkable, the inevitable, happens, and the ranting Hitler takes off, goes viral, becomes a YouTube star, gets his own TV show, becomes someone who people listen to. All while he’s still trying to convince people that yes, it really is him, and yes, he really means it.

There have already been mixed opinions on this one – basically surrounding the sense or not of writing what is basically a comedy of errors and making one of the most villified characters in history – Hitler – its main protagonist. Before I dived in, I read several online discussions, a few non-spoiler reviews and was intrigued to see just what all the fuss was about…

How did I find it? Well I laughed a lot, sometimes in a vaguely guilty way admittedly. Mainly in the portions that dealt with Hitler’s interactions with the media – where they are assuming he is an impersonator, of course, and he is solidly and absolutely himself. Add to that, especially in the early chapters, his despair at the state of the world – and his discovery of television cookery shows – and the whole thing is ironically amusing.

I can see it would be fairly easy to find a reason to be offended by this book but I see no need. The author never tries to make Hitler likeable (or unlikeable for that matter) or offer excuses for his actions, nor does he pretend that this is anything other than exactly what it is – a darkly imaginative fantasy tale with perhaps a touch of social commentary.

The only small downside for me was perhaps that this is aimed very much at the German audience – I’m sure a lot of the satire went straight over my head, especially with regards to the pop culture of that country – there were media releases and tv shows that I was obviously expected to know about that I assume would have made certain portions of the book more humerous – but mostly I would say I tootled along fairly well.

I also think that people with a better knowledge than I possess of Hitler’s period of history would get more out of it – when he is talking about his political party and the players in the war I was often a bit lost because my education in this matter stops with the big stuff (the horrific treatment of the Jewish community) and I also knew the name of Hitler’s mistress. Apart from that I am actually quite ashamed to admit I know very little detail. A fact I should perhaps rectify…

Overall though this was an intriguing, humerous and fascinating reading experience which I enjoyed very much. Beautifully translated as well. Kudos.

19 of 21 people found the following review helpful.
Try it with an open mind
By Sergiu Pobereznic (author)
Brief synopsis: Hitler wakes up in 2011 wearing his recognizable uniform (a time traveller perhaps?) unaware that the war finished many decades ago. As you can imagine, there is lots of room for interesting ideas to be developed as he wanders around Berlin trying to make sense of his surroundings, the modern technologies readily available, while still holding on to his old values, ideologies etc. Hitler is the narrator and the image that is painted of him is that of the Everyman. The dialogue in some places is reminiscent of Mein Kampf, which lends more credibility to the narrator's speaking voice.
I can (kind of) see why some people found this work in poor taste and questioned whether it was all right to tackle such a subject for the purpose of satire or comedy. The truth is there is no real need to feel this way. There will always be arguments from both sides. Personally, I am of the belief that we should remember what happened but we should also not lose our sense of humour.
I have read a tremendous amount of literature on the Holocaust and instead of looking at this book as though the author were making fun of something terrible in our human history why not change the perspective and look at it this way: This is a book about Hitler's perspective of our world today. Surely not such a bad thing. I think that this was the author's actual intent. It is certainly a clever idea and that alone was reason enough for me to give the book a try.
Yes, Hitler was, and still is, in this novel an ill-mannered, boorish and odious individual, but the world is filled with such people. Not all protagonists have to be likeable.
There are many, truly funny scenes, but there are also some sections that may be hard to comprehend because the story is directed at a German audience, with references to German culture that many people have not had contact with. Even so, the book was a good and easy read.
Being that it is a translation, I think that it reads extremely well.
Give it a try.
Sergiu Pobereznic (author)

26 of 30 people found the following review helpful.
Novel set in Berlin, Germany (he’s back; he’s führious)
By TripFiction
This is such a hard book to review! Translated superbly by Jamie Bulloch (whose work we have encountered in the Mussel Feast by Birgit Vanderbeke, also set in Berlin) it has a wonderfully fluid writing style. It also has a cover that is so eye catching and raises a few eyebrows when folks catch sight of the stylised hair; and, really, is that the matching moustache? I KNOW the question you are dying to ask and it certainly is who you think it is delineated on the cover! Is this a risky book cover???? Would love to hear what you think!

It’s 2011 and (the real) Adolf Hitler awakens from some unaccounted slumbers and finds himself in a park in full regalia. A newspaper vendor, who has a kiosk in the park, takes him under his wing and soon sets up a meeting for him with a TV production company. They are fully of the belief that this Adolf is clearly a committed Method Actor who takes his art super seriously and pretty immediately they give him a slot on the Gagmez TV show. Adolf’s media presence balloons, just as it did in the 1930s. He soon insinuates himself into the public eye, and his appearances become the hot topic for discussion across society.

In essence this is a satirical look at celebrity and the role the media plays in bringing and then maintaining certain people in the media spotlight. It’s comical side in part stems from Hitler observing 21st century German (and international) culture through the lens of someone who has missed the build up to the modern day for the last 50 years or so. He cannily observes the politicians, there are wry comments about Chancellor Angela being a shapeless old trout; or Putin being a sop to his fellow countrymen by posing without his shirt on (remember those photos?). Hitler goes on, for example, to have an internal dialogue about how Putin can justify these snaps, and imagines he might have said “Look, my dear fellow countrymen, I have made the most extraordinary discovery: my policies look better without a shirt on.” There are ramblings and observations aplenty – he comes back time and again to all these women in the park who pick up the turds of their pet dogs (perhaps they have been sterilised, muses Hitler to explain their apparently errant actions).

So, how well does this book work for an English audience? If you are into German culture and enjoy exploring German quirkiness through fiction, then I think it will hit the spot. Bild Zeitung gets a good mention and that is a newspaper worthy of a book itself. However, there could be many references that might pass over the heads of those who know little of German mores and this may feel unsatisfactory.

But the final, over-arching question has to be: how comfortable is it that Adolf Hitler is the main protagonist? The author is skilled at walking a knife-edge between humour/satire, and bad taste. But there are occasions where I could feel the prickles of discomfort just beginning to bubble. It has its amusing moments which many will enjoy, yet it will be appalling to others, this, a satirical book about one of the most evil men who ever lived… but this, Adolf, curmudgeonly as he is in 2011, can still garner acolytes, and one has to wonder what that says about all of us who buy into the cult of celebrity.

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Sabtu, 07 Mei 2011

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Will be shipped from US. Brand new copy.

  • Sales Rank: #10303688 in Books
  • Published on: 2003-10-28
  • Binding: Paperback

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Selasa, 03 Mei 2011

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Exploring Philosophy: An Introductory Anthology, by Steven M. Cahn

Extensively revised and updated in its fifth edition, Exploring Philosophy: An Introductory Anthology is a uniquely accessible and engaging introduction to philosophy. Steven M. Cahn brings together exceptionally clear recent essays by noted philosophers and supplements them with influential historical sources. Most importantly, the articles have been carefully edited to make them understandable to every reader. The readings are enhanced by concise introductions, study questions, explanatory notes, and suggestions for further reading. While most other widely used introductory philosophy anthologies contain fewer than five articles authored by women, Exploring Philosophy, Fifth Edition, includes more than thirty, thus reflecting the major role of women in contemporary philosophy.

  • Sales Rank: #321544 in Books
  • Published on: 2014-11-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x 1.30" w x 9.20" l, .0 pounds
  • Binding: Paperback
  • 848 pages

Review

"Cahn's Exploring Philosophy is really fantastic because it takes the best of traditional philosophy and pairs it with modern, up-to-date philosophy. It has finally put women philosophers on an equal footing with the men. By using this book, an introductory course in philosophy can now reflect the contributions of women philosophers. It will be used from now on in my intro courses!"--Clint Tibbs, Delta State University


"I am thrilled to see so many female philosophers added to the textbook. These new additions will enrich the survey of articles offered."--Sara Rettus, Mission College


About the Author

Steven M. Cahn is Professor of Philosophy at The City University of New York Graduate Center. He is the author or editor of fifty books. Most recently, he wrote From Student to Scholar: A Candid Guide to Becoming a Professor (2008) and coauthored Polishing Your Prose: How to Turn First Drafts into Finished Work (2013). Dr. Cahn is the editor of Political Philosophy, Third Edition (2014) and Exploring Ethics, Third Edition (2013), and coeditor of Ethics, Fifth Edition (2011), all published by Oxford University Press.

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0 of 0 people found the following review helpful.
Simple and straight to the point.
By Amazon Customer
This is the first philosophy textbook I've ever bought. I love it. The readings are simple and so easy to follow. This is extremely beneficial for a topic like philosophy, which can be very confusing to understand. I appreciate the simplicity and flow of the writing in this book. I would recommend to anyone who is in an introductory course to philosophy, or even anyone who's beginning to look into philosophy!

0 of 0 people found the following review helpful.
its fine though, i got the money to buy the ...
By Min Yang
Brought it for class, never used it, never touched it, its fine though, i got the money to buy the book for free

0 of 0 people found the following review helpful.
Easy and Cheap
By Joe
The book came, It was in perfect condition, Amazon provided a label to ship it back. Zero problems.

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