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The Music of What Happens: Poems, Poets, Critics, by Helen Vendler
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Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children". View her insightful and passionate analysis along with a condensed reading and student comments on the course.
Helen Vendler has become one of our most trusted companions in reading poetry. Among critics today she has an unrivaled ability to show--lucidly and invitingly--just what a poem does. Insight and wit distinguish these essays, in which Vendler elucidates the function of criticism as well as different critical methods and styles. Poets commented on range from Seamus Heaney and Czeslaw Milosz to Silvia Plath, James Merrill, and Amy Clampitt.
- Sales Rank: #1380047 in Books
- Brand: Brand: Harvard University Press
- Published on: 1989-01-01
- Released on: 1989-01-31
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.22" w x 6.00" l, 1.34 pounds
- Binding: Paperback
- 486 pages
- Used Book in Good Condition
From Library Journal
Following The Harvard Book of Contemporary Poetry ( LJ 11/15/85), Vendler's hand-picked anthology of 20th-century American poets, this collection of recent essays gives us deeper insight into the poets Vendler admires. Vendler focuses on a work's uniqueness rather than its meaning or ideology. Like French critic Roland Barthes, she insists that pleasure motivates writers, and her own favorites (Stevens, Merrill, Ammons, Ashbery) prefer invention to social or psychological realism. Vendler sniffs out sloppy writing and overstatement with deadly accuracy: to a poet's claim that Anne Sexton suffered from "the problematic position of women," she asks: "Was it the problematic position of men . . . that created personal trouble in John Berryman's life?" Recommended for academic and large public libraries.Lisa Mullenneaux, Iowa City, Ia.
Copyright 1988 Reed Business Information, Inc.
Review
Vendler is essential, whether one delights or despairs in her views. More, The Music of What Happens is the essential Vendler. (G. E. Murray Chicago Tribune)
Any criticism that develops so complex a sense of what really good poetry does, and develops it so lovingly, is to be cherished. (Alan Williamson Boston Globe)
Vendler's is an ample book...and will give us enough to go on digesting and arguing about, approving and resisting, for a long time yet. (Charles Tomlinson Times Literary Supplement)
The Music of What Happens, with its deft, precise treatment of the configurative strategies of Ashbery, Heaney, Ginsberg, Sexton, and others reminds us why, ultimately, we might put the newspaper down and read a poem instead. (Robert Lindsey, Bloomsbury Review)
Polite, decisive, and insightful, Vendler is our most distinguished critic of modern poetry. In this collection she deals with writers as diverse as Donald Davie and A. R. Ammons...It is her own likes and dislikes, tirelessly examined and cross-examined, that give her frequent bursts of critical eloquence the foundation of truth. (Choice)
About the Author
Helen Vendler is A. Kingsley Porter University Professor at Harvard University.
Most helpful customer reviews
35 of 40 people found the following review helpful.
Beautiful writing about beautiful writing.
By A Customer
Is there any critic of fiction or poetry better than Helen Vendler? I always avoided poetry, thinking it the literary equivalent of green vegetables. But in these essays, Vendler calmly and precisely explains what works about a certain poem. Vendler's close reading and teacherly - but never condescending - voice made me want to read more poems, yes, but more than anything, they made me want to read more Vendler. Vendler's interpretive theory would probably be criticised as hopelessly 'undertheorized' new criticism, but that is part of its charm. In her way, Vendler has convinced me of the value and beauty of literary creation.
4 of 4 people found the following review helpful.
The most Vendler for the buck & astonishingly good!
By MS Smithy
I've been immersed in this book for the last two weeks. The chapter on Wallace Stevens alone is worth the price of admission. Vendler is so good on so many poets it makes my head spin. Anyone who can get me interested in A.A. Ammons has my attention. She's gifted as a deep reader and as someone with a thorough sense of context. This is judgment you can trust and continue to learn from. This book sat on my shelf for three years until I moved it into the reading room; now I'm accumulating all her books. Reading her is infectious. You can follow her through the looking glass and live to tell about it. A few quibbles - nothing on Larkin so far, and a brazen, intentional insult to Philip Levine (equating him with Rod McKuen should be a hanging offense; read The Second Angel, one of the most beautiful poems in the last fifty years). Then read her on James Merrill. And finally some rationality about Anne Sexton. When she's fair, which is almost all the time, she's thrilling.
I came to the party wanting to find out what the Trilling / Vendler controversy was all about, but I've been completely won over by her sensitivity and intellect. If this isn't a five star publishing event, I don't know what is.
6 of 7 people found the following review helpful.
I don't always agree with her but she writes superbly.
By Fred Longworth
I may not always agree with Helen Vendler. For example, she doesn't care much for Philip Levine, whereas I hold him in the highest regard. She loves A.R. Ammons, while I find his work to be unexciting. But her opinions are always well argued, and her writing, engaging. I'm sure both she and Harold Bloom might look askance on this observation: but they are similar in their viewpoints and their erudition. In brief, one is well advised to read both of them. Buy this book.
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